![]() Is it too late to reverse what we've begun?Įyes glazed with distrust, no sense of wrong or right On Wall Street, a single mom of three, a TV personality While every breath that we take, we only suffocateįirst bouts of delirium and scenes of homeless Democrats What's mine was always yours, and yours is mineĪnd so we carry on each day as if our lives were not so real Is it too late to reverse what we've become?Ī lesson to learn at a crucial point in time Remember those killed by names we each call, are you happy where you are?Ĭan we be saved, has the damage all been done? Tell me how these things traced with colors filled with black debrisĪnd how these loyal, living Reich were nameless things swept out of sightĭead through the streamers on the sky past neon words where we The album received a rating of four out of five stars, while "Ready to Fall", "Prayer of the Refugee", "The Good Left Undone", "Behind Closed Doors", and the radio-only "The Approaching Curve" earned Rise Against its heaviest airplay to date He praised the music "sincerity and passion" and described it "maturing within the realms of major-label hardcore revivalism, while still remaining relevant and exciting". The album received positive reviews, Corey Apar of Allmusic described the album "one shout-along, mosh-worthy song after another". All of these things demonstrate that Rise Against is drawing from a broader palette than many of its counterparts, one of the reasons it will (indeed, already has) rise above the masses of sound-alike acts vying for the attention of the MySpace generation. Cut from the same savvy cloth as Bad Religion and Black Flag, Rise Against rocks hard during the martial opus opener, "Chamber The Cartridge," the melodic "Injection," which asks us to imagine that Iron Maiden came from sunny California and not some dreary part of London, and "Ready To Fall," which may be one of the greatest anthems of adolescent estrangement since The Who's "Baba O'Riley." The band also isn't afraid of a good hook and scintillating melody ("Under The Knife"), exploring complex emotions ("Roadside"), or unleashing a bit of old-school breakneck fury sans apology ("Bricks"). Rise Against returns with a rollicking wallop of an album that further establishes the Chicago-based outfit as one of the great bright hopes for the future of alienation rock. ![]() It was their second release on major label Geffen Records, following 2004's Siren Song of the Counter Culture. Cut from the same savvy cloth as Bad Religion and Black Flag, Rise Against rocks hard during the martial opus opener, "Chamber The Cartridge," the melodic "Injection," which asks Read Full Bio The Sufferer & the Witness is the fourth album by American punk rock band Rise Against. 2 with 152,000.The Sufferer & the Witness is the fourth album by American punk rock band Rise Against. Oasis last reached the top tier when 1997’s “Be Here Now” debuted and peaked at No. 12 but with a larger opening sales week of 65,000. The band’s last studio set, 2005’s “Don’t Believe the Truth,” began at No. Veteran British rock act Oasis scored its first top 10 set since 1997, as “Dig Out Your Soul” debuted at No. 4, on a 71 percent sales decrease to 63,000. Oscar-winning “American Idol” reject Jennifer Hudson’s self-titled debut fell from the second rung to No. The punk rock band’s last set, 2006’s “The Sufferer and the Witness,” bowed at No. Marking a career high for charting and sales, Rise Against’s “Appeal to Reason” debuted at No. 2 despite a 24 percent sales slide to 66,000 copies. Metallica’s “Death Magnetic” climbed back from No. The set sold 177,000 copies in the States during the week ended October 12, according to Nielsen SoundScan, after debuting the previous week with 568,000. poses at the 2008 MTV Movie Awards in Los Angeles June 1, 2008.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |